孙墨龙儿时即开始学写毛笔字。在他出生的家庭里,他的祖父、父亲都写一手好字。特别是比他年长11岁的堂兄孙其峰写得好,家人多赞扬,是他的指导老师。墨龙从唐楷写起,先临颜真卿、柳公权,后来还临过钱南园、华世奎。长夏的中午,大人们午休,十分安静。他常常一写就是几个小时,十年不渝。作为学书,这是很重要的阶段,他至今犹为之庆幸有这段临帖的苦功。即所谓“因筌得鱼”。此后,孙其峰任天津美院教授后,又指导他遍临诸汉碑。《史晨》、《西狭》、《鲜于璜》、《石门颂》、《张迁》,他都曾下过苦功夫。他特别痴迷《张迁》,反复临过多次。其峰对他说,虽然学书的规律应该是从无我到有我,但现在还应以无我为主,要临像。于是节假日、工作之余墨龙几乎都用于临书作画。又是十年,墨龙成了专业画家。在其峰的指导下,他懂得了“得鱼亡筌”、“过河拆桥”和“书中有我”的道理,这是墨龙学书的进程中又一个转折。于是他开始收集研究汉人的简牍,和清人、近人的隶书墨迹,并结合进行大量的创作,使他的隶 Sun Mo-long childhood began to learn to write brush writing. In his family of birth, his grandfather and father wrote good words. In particular, his cousin Sun Qifeng, 11 years older than he, wrote well and his family praised more than he was his mentor. Molong written from the Kaikan, the first Yan Zhenqing, Liu Gongquan, but also over Qiannan Park, Hua Kui. Long summer noon, adults lunch break, very quiet. He often wrote a few hours, ten years. As a school book, this is a very important stage, and he is still fortunate enough to have the hard work of this temporary post. The so-called Since then, Sun Qifeng Ren Tianjin Academy of Fine Arts professor, and guide him throughout the Han Dynasty monument. “Shi Chen”, “West narrow”, “Xian Yuhuang”, “Shimen Ode”, “Zhang moved”, he had worked hard. He is particularly obsessed with “Zhang move”, repeated many times. His peak told him that while the law of studying books should be from me to myself, it is time for no one to give priority to adultery. So on holidays, most of the work outside the dragon are used for painting temporary books. Another decade, Molong became a professional painter. Under the guidance of his peak, he understands the truth of “getting a fish to die”, “breaking the bridge across the river” and “having me” in the book. This is another turning point in the process of learning from a book by a dragon. So he began to collect research Han Jane, and Qing, near the official ink, combined with a large number of creative, so that his Li