子江话语不多,但是很肯定,且固执,用情处亦颇激昂,所画山水,用笔文气,造境娴雅,散散淡淡的像明清的闲文,也很像他的人。子江对唐、五代以来的山水画,从笔墨、造境、格调上下过功夫,尤喜文人画一路。近年他选择那些与自己性情相近、画路相通的经典作品及大师来研究,如黄公望、倪云林、董其昌诸贤。他的画比以前更文气,笔墨也更加肯定笃实,清晰、明朗。子江心性雅正,举止彬彬,居室、书屋惟崇大明,喜简洁干净。每日磨墨焚香、调鸟莳兰。其居院丑石,青篁掩映,鸟鸣啁啾;半架老藤,一院清荫,其心性散淡如此,亦是文心使然。子江深知。天下只有不好看的图画,没有不好看的山水,愿他依然从文修、从我修。 There are not many words in Zijiang, but they are very firm and stubborn. They are also very passionate in love. Their landscapes are painted with pen style, tranquility and tranquility. They are similar to those in Ming and Qing dynasties. Zijiang on the Tang Dynasty, since the Five Dynasties landscape paintings, from the ink, build environment, style has spent time, especially the literati painting all the way. In recent years, he has chosen classic works and masters who are close to his own temperament and similar to the traditional ways of painting, such as Huang Gongwang, Ni Yunlin and Dong Qichang. His painting is more avant-garde than before, his writing more certainty, clear and bright. Sub-river hearty, courteous, manners, bedroom, book house but Daming, hi concise clean. Burning daily incense, birds tune Shilan. The hospital ugly stone, barley set off, tweet birds; half frame of rattan, a hospital Qingyin, the heart of light scattered so, it is also aphorism. Zijiang know. Only the world is not good-looking picture, there is no unpleasant landscapes, may he still from the text repair, repair from me.