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写生曾是古代文人、画家师法自然的最重要方式,也是推动中国山水画不断向前发展的主要动因之一。随着时代的发展,写生的形式与内涵也发生了变化。那么,古今写生方式究竟存在着哪些不同?这不同对中国山水画创作中意象思维的展开有什么影响呢?本文就此展开探讨。新中国成立之初,现实主义创作氛围下美术创作者们纷纷离开象牙之塔,到乡村,生产第一线、名山大川去采风写生,到广
Sketching was once the most important way for the ancient literati and painter to practice the method of law naturally, and also one of the main motivations for promoting the continuous development of Chinese landscape painting. With the development of the times, the form and content of sketching also changed. So, what is the difference between ancient and modern ways of painting? What impact does this difference have on the development of imagery in Chinese landscape painting? At the beginning of the founding of New China, art creators all left the Ivory Tower under the atmosphere of realism. They went to the countryside to produce the first line of production,