“至如初学分布,但求平正;既知平正,务追险绝;既能险绝,复归平正。初谓未及,中则过之,后乃通会。通会之际,人书俱老。”(孙过庭《书谱》)。意思是:开始学习字形结构的阶段,重点只应该是力求平稳端正。能够理解、掌握结构平稳端正的技巧了,就要追求字形的奇异险绝。能够理解、掌握结构奇异险绝的技巧了,还要再次回归到平稳端正的方向上来。初唐欧阳询的书法是险劲风格的杰出代表,其书“由平正求得险劲,险劲复归于平正”的特点,使其在书法世界中独树一帜。 “To beginners distribution, but seeking peace; both known to be flat, the pursuit of absolute danger; both extinction, return to equity. Old. ”(Sun Chaotian“ book ”). Means: begin to learn the glyph structure of the stage, the focus should only be to smooth and correct. Understandably, to master the smooth structure of the skills, we must pursue the singular perilous. Understandably, mastering the extremities of the structure is exaggerated, but also once again return to a smooth and correct direction. Early calligraphy Ouyang inquiry is an outstanding representative of the dangerous style, the book “Ping Pingzhengjinjin, risk return to Ping ” characteristics, make it unique in the calligraphy world.