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金行健在《地方戏的整体继承及其局限》(载《甘肃戏苑》1987年一期)一文中说,地方戏曲的流传方式,主要依靠演员之间的师徒相承、口传心授的方式进行。徒弟从师傅那里学来的艺,不只是单一的表演,而是整个戏曲艺术。这一因袭多年的整体继承方法,对地方戏的发展、流传起到了十分重要的作用,至今却也产生了不少局限。这种继承方式,实际上是一种缺乏探索,缺乏改革,缺乏创造的单纯模仿和重复。由于整体继承主要追求的目标是模仿前辈艺人的成就,对今天观众的变化和需求,则考虑甚少,演出和
In his article “The Overall Inheritance and Limitation of Local Opera” (Gansu Opera House, 1987-1), Jin Xingjian said that the way of circulating local operas mainly depends on the ways in which the actors and their followers share the same spirit get on. Apprenticeship master learned from art, not just a single show, but the entire art of opera. This method of inheritance inherited for many years has played a very important role in the development and circulation of local operas, but so far it has had many limitations. This method of inheritance is actually a mere imitation and repetition of lack of exploration, lack of reform and lack of creation. Since the main goal pursued by the overall succession is to mimic the achievements of its predecessors, the changes and demands of today’s audience are poorly considered,