在当今现代汉语占主导地位的文学领域,那看来早已作古的旧体文学传统还能激活并展现其新的生命力吗?还能在与新体文学的较量中实现自身的现代性生成吗?诚然,从“五四”新文学运动确立白话文的主导地位以来,以文言散文、旧体诗词和戏曲为代表的旧体文学确实丧失了正体地位,但它作为传统模式, In the literary field dominated by modern Chinese today, can the traditional old-style literary tradition that has long ago proven itself activate and demonstrate its new vitality? Can it also realize its own modernity in the contest with new-style literature? It is true that since the establishment of the vernacular literature by the “May 4th Movement” New Literature Movement, the literary genres of the old represented by classical prose, old poetry and opera have indeed lost their rightful place. However, as a traditional model,