弹词作为一种说唱艺术,为女性市民所钟爱,一批女作家用弹词的形式,创作长篇巨制,抒闺阁情怀。弹词从书场表演走向晚清女作家案头创作,产生了一系列优秀的弹词作品。走向案头的女性弹词小说一方面继承了书场弹词的详细和生动,同时摒弃了其角色表白和口语化,被近代作家们喜爱并受到影响。在晚清这个呼唤觉醒的时代,弹词小说也开始与政治牵手,其创作则承担起了唤醒女界之责任。 As a kind of rap art, the storyteller is favored by the female citizen. A group of female writers create a long compilation in the form of storytelling to express their feelings. The storytelling went from bookstage to the writing of the late Qing women writers, resulting in a series of excellent storytelling works. On the one hand, the female narratives going to the desk inherit the details and vividness of the storytelling in the bookstore, meanwhile abandon their role expression and colloquialism. They are loved and influenced by modern writers. In the late Qing era, when this call awakens, storytelling novels also began to hold hands with politics. Their creations assumed the responsibility of awakening the women.