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在我国古代乐律学上,“十二律”体系构成了理论和技术的基础。十二律即测试音高的十二根长短不同的竹管.其名称原有分歧,后来才逐渐统一为:(1)黄钟,(2)大吕,(3)太簇.(4)夹钟,(5)姑洗,(6)仲吕,(7)蕤宾,(8)林钟,(9)夷则,(10)南吕。(11)无射(yì),(12)应钟。单数律名称“六律”,双声称“六吕”,合称“六律六吕”。《周礼》一书中称“六律六同”,《国语》一书中称“六律六间”。十二律体系的形成经过了漫长的历程。关于远古时期的乐舞,《吕氏春秋·古乐篇》中有三人执牛尾,投足而歌的想象或传说。青海省大通县上孙家寨墓地出土的新石器时代晚期的陶盆,内壁上面着三组舞人形象,每组五人,手拉着手,化装跳舞,动作
In ancient Chinese music law, the “twelve laws” system formed the basis of theory and technology. Twelve laws that test the pitch of twelve different lengths of bamboo tube.The name of the original differences, and later gradually unified as: (1) Huang Zhong, (2) large Lu, (3) too cluster (4) (5) Nursing, (6) Zhong Lu, (7) Bin guest, (8) Lin Zhong, (9) Yi Ze, (10) South Lu. (11) No radio (yì), (12) should be bell. Single law name “six law”, double claim “six lv”, collectively known as “six law six Lu.” “Zhou Li,” a book called “six laws and six”, “Mandarin” in a book called “six law six.” The formation of the twelve laws system after a long course. About the ancient times of music and dance, “Lu’s Spring and Autumn Period ancient music articles,” there are three executive oxtail, cast their own imagination or legend. Qinghai Province Datong County Sunjiazhai cemetery unearthed late Neolithic Pottery, the inner wall with three groups of dancers image, each group of five, hand in hand, costume dancing, action