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王士禛康熙27年编选的《唐贤三昧集》中所反映出来的神韵主张,其实早在其康熙22年应徐乾学劝而编选的《五言古诗选》中即已有所表现,只是没有《唐贤三昧集》来得明晰。从《五言古诗选》到《唐贤三昧集》,我们可以清晰地看到王士禛诗学主张逐步缩削、集中的轨迹,可以说神韵说是王士禛在古代诗学传统中寻找师法对象时逐步明确下来的。
Wang Shizhen’s rhyming propositions reflected in the 27-year compilation of “Tang Yin Samadhi” of Kangxi has actually been manifested in the “Five-character Ancient Poetry Selection” which was persuaded by Xu Qianxu since Kangxi’s 22 years, Yin Samadhi set “to be clear. From ”Five-Character Ancient Poetry Selection“ to ”Three-Memoir of Tang Yin Collection", we can clearly see that Wang Shizhen’s poetics advocated gradual reduction and concentration. We can say that Shen Shiyun said that when Wang Shizhen looked for a teacher in the ancient poetic tradition Gradually clear down.