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“电影最大的魅力在于它独特的功能,即用以假乱真的画面声音去模拟各种令人无法想象又惊奇的东西,一种非真实而充满奇幻的物体。”1本雅明对电影这一新兴传播媒介在思想引导方面的重要作用给予了肯定,并呼吁无产阶级要严格控制电影的价值导向,不能被法西斯所利用。同一时期的中国,正处在内忧外患的民国时期,电影却在这个时期拥抱了它在中国的第一个春天。就在各种类型电影的冲击下,民众及当权者对电影审查这一行业管理制度呼声高涨,一场围绕着电影审查的权力斗争就此展开。本文从电影审查权力之争的角度入手,简要介绍并分析地方精英、政府权力机构和国外势力等各方势力在民国电影审查权力斗争中的博弈,浅探民国电影审查的权力之争。
“The greatest attraction of the film lies in its unique function of simulating unimaginable and surprising things, a non-real and fantastical object by using real images of the sound.” 1 Benjamin’s interpretation of the movie The emerging media affirmed its important role in guiding ideology and called for the proletariat to strictly control the value orientation of the movie and should not be exploited by fascists. In the same period of China, the Republic of China was at a time of internal and external disturbances. During this period, the film embraced its first spring in China. Just under the impact of various types of films, people and those in power were having a high voice in the censorship of film industry and a power struggle around film censorship began. This article starts from the perspective of the dispute over censorship of movies and briefly introduces and analyzes the game between local elites, government agencies and foreign forces in the power struggle of censorship of cinema in the Republic of China.