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中国绘画史论研究是悠久绵长的中华文化的一部分,现已发展至较为系统和成熟的阶段。但由于历史和人为等原因,绘画史的发展仍存有诸多问题。如,中国绘画的溯源及花鸟画断代仍然迷雾重重,战国楚墓帛画、《清明上河图》、《历代名画记》等古画、古籍的相关信息异说纷纭,不同典籍中画家生卒年代、“字”与“号”称谓、出生地点、文字句读存在大量乱象、错误与脱漏。凡此种种,使后学者无法择从。当然,从辩证的角度来分析,也正是因为有这些问题的存在才促进了中国绘画史的研究和发展。
The study of the history of Chinese painting is a long and lush part of Chinese culture and has now developed to a more systematic and mature stage. However, due to historical and man-made reasons, there are still many problems in the development of the history of painting. For example, the traceability of Chinese painting and the loss of flowers and birds paintings are still very foggy. There are different opinions on ancient paintings and ancient books such as paintings of the Tomb in the Warring States Period, paintings on the Qingming Riverside and Famous Paintings of Various Dynasties, “Character ” and “sign ” appellation, place of birth, text sentence reads a lot of chaos, errors and omissions. All these kinds make the latter scholars unable to choose from. Of course, from a dialectical perspective, it is precisely because of these problems that the promotion of the study and development of the history of Chinese painting is promoted.