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新版昆剧《玉簪记·问病》一出,在琴挑和偷诗之间,以打破程式的身段异元素、生而作丑的行当交缠,在舞台上演述了写意的癫;问病与问情互为镜像的情感历险,在试探与闯入之间运变出了一段禁地之爱,以白夺腔、奇正相生的夸张高诧,打破了生旦在场的僧俗之恋的程式化表演可能带来的束缚和禁忌,爱之往而禅之归,情生癫痴、情生造化。
A new version of the Kun Opera “Jadepin Ji asked the disease” came out, between the pick and steal the poem, in order to break the stylistic different elements, raw and ugly line entangled in the stage to describe the freehand epilepsy; ask disease Emotional adventure with mirroring of each other’s emotions turns out to be a forbidden love between temptation and intrusion, with an exaggeration to win over the dark and the extraordinary, to break the program of the monk’s romance in which the living father is present The performance may bring the bondage and taboos, the return of love and the return of Zen, love affair, love affair.