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就像写作不再只认稿纸、爬格子,而更多以按鼠标与敲键盘来实现一样,我们的文学作品也不再只现于书籍、报刊,而渐次活跃于银幕、荧屏甚或网络。然而载体的多元,却似乎逼仄了纸媒文艺副刊的生存空间。从上世纪90年代起,繁荣了150余年的文艺副刊,在市场经济和信息化等影响下,在影视文化以及各类文艺形式的多重分食下,报纸副刊尤其是纯文艺副刊的天地越来越小,甚至完全失守。进入21世纪,网络的繁荣与自媒
Just as writing no longer recognizes manuscript paper only, climbing platters, and more by pressing a mouse and typing a keyboard, our literary works no longer exist in books, newspapers and periodicals, but are gradually becoming active on the screen, on screens or even on the Internet. However, the diversified carrier seems to have contracted the living space of paper media literary supplements. Since the 1990s, the prosperity of more than 150 years of literary supplements, under the influence of the market economy and information technology, in the film and television culture and various types of literary and artistic forms of multi-division, newspaper supplements, especially literary supplements world more and more The smaller, or even completely lost. Into the 21st century, the network’s prosperity and self-media