方力钧集评方力钧在九十年代后期以来,制作了多幅巨大的版画,巨大而能保持刀法的流畅,是方力钧的木刻版画的技术难题,也是方力钧在版画制作上的贡献。他使用工业电锯等工具,因此刀法流畅、气派和具有一种语言的力度,使他的版画《游泳》系列作品,显现出与油画、丙烯的游泳系列迥然不同的风格,尤其刀法的表现力,迥异于油画、丙烯的无笔触感,而显示了一种力量。因此,与油画、丙烯的游泳系列的宁静比较,版画的游泳系列给人的是一种 Fang Lijun has commented Fang Lijun on the huge printmaking since the late nineties. It is huge and able to maintain the smoothness of the knife method. It is a technical problem for Fang Lijun’s woodcut printmaking and a contribution by Fang Lijun on printmaking. His use of industrial chainsaws and other tools made the knife fluent, stylish and language-driven, making his print “Swim” series a very different style from oil and acrylic swimming, Expressive, very different from oil painting, acrylic penless touch, but shows a force. Therefore, compared with the tranquility of oil painting, acrylic swimming series, the swimming series of prints gives a kind of