陌生化程序是人的一种有意识的创造活动,是一种反抗日常感觉方式和因循守旧的固定模式的活动。本文从文艺学美学的角度出发,根据俄国形式主义的“陌生化程序”理论,分析了斯蒂芬·克莱恩短篇小说《海上扁舟》中的陌生化手法,其表现为比喻、对比、重复和叙述方式等手法的使用。由于克莱恩陌生化手法的使用,使其作品具有很高的美学价值。 Defamiliarization is a conscious creation of human beings, an activity that resists everyday sensations and follows stereotypes. From the perspective of aesthetics of literature and art, this article analyzes the defamiliarization of Stephen Klein’s novel “The Boat on the Sea” according to the “formalism of unfamiliarization” in Russian formalism, which is characterized by analogy, contrast, repetition and Narrative methods such as the use of. Due to the use of Klein’s defamiliarization, his works have high aesthetic value.