室内剧作为斯特林堡戏剧的一个重要组成部分,标志着其艺术形式的成熟。马丁·拉姆认为室内剧在表现斯氏戏剧艺术革命精神上超越了他的任何其他剧目。首先,“舞台叙事者”的设置将“主观戏剧”艺术推向成熟,体现出现代戏剧叙事结构的萌芽。其次,哲理性对白、内心独白和旁白在斯氏作品中风格独具,前两者因主题而发,成为与传统线性叙事并行的隐形叙事和发散性叙事,而旁白则实现了对白的叙事化功能。另外,音乐在斯特林堡室内剧中富含深刻的象征意义。这些艺术创新表现出现代戏剧萌芽时期的戏剧叙事艺术探索和发展,也成就了斯特林堡作为现代戏剧先驱不可撼动的地位。 Intrinsic drama, as an important part of the play in Strindberg, marks the maturity of its art form. Martin Lam considers the chamber play to surpass any of his other plays in the performance of the revolutionary art revolution. First of all, the setting of “stage narrator” will mature the art of “subjective drama” and embodies the bud of the narrative structure of modern drama. Secondly, philosophical dialogue, inner monologue and narration are unique in his works. The former two are subject to the theme and become invisible narrative and divergent narrative parallel to the traditional linear narration, while the narration Features. In addition, the music is richly symbolic in the Stalin’s interior drama. These artistic innovations show the exploration and development of dramatic narrative art in the budding period of modern drama and the unshakable role of Strindberg as a pioneer of modern drama.