进入９０年代中期，中国的改革由迅疾转向平缓，文学创作也由纷繁走向稳健。短篇小说的作者们率先感应时代，创作了大量贴近生活的作品。这些作品反应出作家新的创作特点：一、视点下沉———风云人物退场，平民百姓占据主角位置。二、重心偏移———外在行为淡化。重点揭示国人心态的错位。三、流派溶解———大小作家各行其道，现实主义悄然回流 In the mid-1990s, China’s reform shifted from swiftness to gentleness and its literary creation went from being numerous to steady. The authors of the short stories took the lead in sensing the times and created a large number of works that are close to life. These works reflect the writer’s new creative features: First, the view sinking - the man of the moment exit, civilians occupy the protagonist position. Second, the center of gravity shift --- external behavior downplayed. Focus on revealing the wrong attitude of people. Third, the genre dissolved - the size of writers are all over the country, realism quietly return