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若不是台湾表演艺术界(除了视觉艺术之外,戏剧、舞蹈与音乐共同评比竞争)唯一的民间企业奖励竞赛——第三届台新艺术奖,提名了导演戴君芳在2004年第三届女性戏剧联展(简称女节,由许雅红、秦嘉嫄、贡幼颖、赵圣如与傅裕惠等台湾小剧场工作者企划制作,每隔四年于台北举办一次)的作品《柳.梦.梅》入围最后十大作品,或许戴君芳与杨汗如的合作与努力,不见得那么快获得剧场业界的瞩目和肯定、或说批评。同时,近来多次与戴君芳合作的装置艺术家施工忠昊,以诠释台湾普罗社会文化议题(如槟榔西施和庙会偶像等),夺得第三届台新艺术奖“年度最佳视觉艺术”百万大奖,自然让今年五月底戴君芳与施工的最新作品《情书》增添不少光彩。
If not Taiwan’s performing arts industry (in addition to visual arts, drama, dance and music competitions together) the only private enterprise awards competition - the Third Taiwan Art Award nominated director Dai Junfang in 2004 the third female drama series (Referred to as the Women’s Day, composed by Xu Yahong, Qin Jia 嫄, Gong Youying, Zhao Shengru and Fu Yuhui, etc.) and the work “Liu. Meng. Mei” nominated for the final ten works Perhaps Dai Junfang and Yang Khan such as cooperation and efforts, not necessarily so quickly won the theater industry’s attention and recognition, or criticism. In the meantime, several installation artists collaborating with Dai Junfang have recently built Zhonghao to capture the social and cultural issues of Taiwan (such as betel nut donation and temple idols, etc.) and won the “Taiwan’s Best Visual Arts” Millionaire Award for the 3rd Taiwan Art Awards It is only natural that Dai Junfang and the latest works “Love Letter” under construction will add a lot of glory to the end of May this year.