埃伦·莫尔斯在其杰作《女文学家》中指出,有一种奇怪的现象,作为批评者,我们一遍又一遍地以民族、种族、国籍、宗教、政治、历史背景,甚至健康状况来评论艺术家,但是“有意无意的狭隘批评现使我们不断地忽略以性别——一个显然和她们的社会地位、时代或国籍同样重要的事实,一个女性作家一直意识到并且仍然在注意的事实——来作为批评途径。” Ellen Morse pointed out in his masterpiece The Woman Writer that there is a weird phenomenon as critics who, over and over, come from ethnic, racial, ethnic, religious, political, historical backgrounds, and even health conditions Commenting on artists, however, “deliberate narrow criticism now leads us to continually ignore gender-a fact that is equally important to their social status, age or nationality, the fact that a female writer has been aware of and is still noticing - As a criticism. ”