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有两种情况,一种是你认识这个人,然后读了他的文章你感到失望,他的文不如他的人精彩,或者他写的不如说的好。另一种当然是反过来,人没什么意思,但文章有意思。就前一种情况而论,表明书写对人的规训作用,提起笔来,小皮鞭子不锈钢镣铐一弄儿刑具戒具全摆在了心里。就有那么一位老兄,他是我所见过的口语表达最为精彩纷呈天花乱坠的中国人,仅次于王朔,但是,只要一下笔,立时呆若木鸡。为此我简直是痛心疾首。
There are two cases, one is that you know this person, and then read his article you are disappointed, his text is not as good as his people, or he wrote better than that. The other is, of course, the other way, people have no meaning, but the article is interesting. In the former case, it shows that the writing of the role of discipline on the people, put pen, small leather whipped stainless steel shackled torture aids in full swing in the heart. There is a man who was the most brilliant Chinese I’ve ever spoken, second only to Wang Shuo, but at the first glance, he immediately stood still. For this I am a bitter heart.