2002年,郑州市文物考古研究所在巩义涉村发掘了一座宋代壁画墓,墓室三壁的铺作与阑额间均绘有“五郡兄弟”题材壁画,发掘者认为其似能构成完整的孝子故事情节[1]。2011年,崔世平、任程释读了此题材,并对壁画图像顺序、孝子图所反映的虚拟亲属关系和社会背景等进行了分析[2]。本文根据相关文献的记载,对“五郡兄弟”故事的渊源进行了研究,对前述文章所判定的壁画图像次序加以订正,并从连续 In 2002, the Zhengzhou Institute of Cultural Relics and Archeology unearthed a Song Dynasty mural tomb in Gongyi Village. The three walls of the tomb were covered with “Five Five Brothers” murals, and the diggers thought it could form Complete filial piety story [1]. In 2011, Cui Shiping and Ren Cheng interpreted the theme and analyzed the sequence of mural images, the relationship between the fictitious kin and the social background as reflected in the filial piety [2]. Based on the records of related literatures, this paper studies the origins of the story of “Five County Brothers”, corrects the sequence of the mural images determined in the previous article,