早期粤剧一直沿袭以师傅带徒弟的方式去培养接班人。这种方式实际是“师傅引入门,学艺靠自己。”师傅日夜忙于演出,当徒弟的除了日常服侍好师傅的起居生活之外,没见有师傅手把手传艺的。艺徒的成长只能靠自己勤奋、向旁人请教或“偷师”。可见,昔日要出人才之难。真正由师傅亲自授徒的是从清代咸丰年间 Early Cantonese opera has been followed by the way the master train students to train successors. This approach is actually “master the introduction of the door, learning by yourself.” Master busy day and night performances, when the apprentice in addition to daily life of a good teacher to serve life, did not see the master hand art. Arts can only rely on their own hard-working growth, advice to others or “steal division.” Can be seen in the past to the hardship of talent. The real apprentice from the master is from the Qing Dynasty Xianfeng years