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买泓君的山水画,多为静穆,寂然的寥廓山野、河流及氰氲气象,显示出一派巍然、沧桑、悠远、飘忽的玄秘之情。如《昨夜闲云带霜》,以线为主,勾勒出纵、横交迭的山势筋脉,辅以墨之擦染,使山体顿生量感,赫然逼近眼前,而淡墨叠染的雾霭与云烟把空间引向纵深,使起伏之山峦无限绵延和浑然一体;天地、山川、河流、屋舍等意象的构置,使画面空间显示辽阔、深远及向暮夜晦暝处继续拓展的无限性。《蛙声依稀桥东》,完全是以墨造势的山水,显出了青年画家的优势与偏爱,全幅作品以不同层次的墨色多次叠加,辅以线的皴擦,使画面呈现“峰峦出没,云雾显晦”之境,自成磅礴气势和欲全而又不能全的张力感。
Buy Wang Jun’s landscape paintings, mostly static and quiet, the boundless outline of the mountains, rivers and cyanide weather, showing a school of Weiran, vicissitudes of life, distant, erratic mystery. Such as “Last night free cloud with frost,” the main line, outlined the vertical and horizontal overlapping tendons, supplemented by the ink of the dye, the mountain sense of volume, impressively approaching, and light ink stained The haze and clouds lead the space to the depth so that undulating hills can stretch indefinitely and blend seamlessly into one another. The configuration of the images of heaven and earth, mountains and rivers, houses and the like makes the space of the picture display vast, far-reaching and continuous expansion to the twilight night Unlimited. “Frog vile Bridge East” is entirely landscapes of ink momentum, showing the young artists the advantages and preferences, the entire work to different levels of ink color overlay, supplemented by the line of rub, so that the picture presents “peaks and valleys , Cloud Obscure ”environment, since the 磅 磅 礴 momentum and desire for the whole and can not be the whole sense of tension.