建国初期,对美术字需求量比任何东西都大,当时每一个会议会场标语都要用美术字,我也没别的,就是长于这点。那时候写美术字标语用一种叫皱金纸的纸,金纸的后面裱了一层黄纸,那层纸很薄,当时其他人都是写正字,所以得再附一张白纸在上面写,然后再沿着线,用刀子划或者剪子裁下来,很废事,我当时就觉得这样既浪费时间,又浪费纸。我就直接在那层黄纸上写反字,剪出来是正字,省了很多事,我也就比他们多一点这方面的本领。 In the early years of the founding of New China, the demand for fine art characters was greater than anything. At that time, the slogan of every meeting venue used the fine art characters. I did nothing else but longer than this point. At that time, I wrote the art of Chinese characters with a paper called “crumpled paper”. A piece of yellow paper was mounted on the back of the paper. The paper was very thin. At that time, other people wrote the orthographies, so I had to attach a piece of white paper Write, and then along the line, cut with a knife or cut the scissors, it is waste, I was feeling like this is a waste of time, but also a waste of paper. I’ll write the words directly on the yellow paper, cut it out, save a lot of things, and I will have a little more skill in this area.