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对中国电影而官,“文化大革命”的结束提供了一个发展的契机。一场波澜壮阔的思想解放运动很快从意识形态领域波及到电影艺术领域。思想的解放带来了艺术观念的解放。1979年,《电影艺术参考资料》的第1期上发表了自景晟的文章《丢掉戏剧的拐杖》,首次对电影的戏剧化倾向提出了批评。紧接着,1979年第3期的《电影艺术》又发表了张暖昕、李陀的文章《谈电影语言的现代化》,指出时至今日仍然沿袭“戏剧式电
For the Chinese film officer, the “Cultural Revolution” ended to provide a turning point for development. A magnificent movement of ideological liberation quickly spread from the field of ideology to the field of cinema art. The liberation of ideas brought the liberation of artistic ideas. In 1979, the first issue of “Film Art Reference” published a self-titled “Cane Dropping Drama”, which criticized the dramatic tendency of the movie for the first time. Then, in 1979, Film Arts published the article “The Modernization of Film Language” by Zhang Xin-Xin and Li Tuo, also pointed out that "the dramatic electricity