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2016年底由程耳导演的电影《罗曼蒂克消亡史》上映。从编剧到导演再到剪辑都是由程耳一人完成,毫无疑问,这是一部导演个人风格极其强烈的电影。无论是从强大演员阵容,还是华丽考究的服装造型,又或是打乱重组的叙事结构,这部影片都让人觉得“腔调”十足。影片营造出民国时期老上海的浪漫情调,又将这些浪漫赤裸裸、血淋淋地打碎,大概这就是所谓的“罗曼蒂克消亡史”。影片中最令人印象深刻的一句话就是“导演没打算让大家看懂,这是艺术片,是拍给下一个世纪的人看的。”这就是导演程耳想对观众说的。本文将从影片的人物塑造,叙事结构以及腔调的产生几方面来探讨这部影片。
The end of 2016 by the director of the movie “The Death of the Romance” release. From the screenwriter to the director and then to the clip is completed by Cheng Er, there is no doubt that this is an extremely personal style director movie. Whether it is from a strong cast, or gorgeous costumes, or disrupt the reorganization of the narrative structure, this movie makes people feel “accent ” full. The film creates the romantic atmosphere of the old Shanghai during the Republic of China, breaking these romances nakedly and bloodyly, presumably this is the so-called “death of the romance.” The most impressive phrase in the film is “The director did not intend to let everyone understand, this is a art film, is for the next century to see. ” This is the director Cheng Er want to say to the audience. This article will explore the movie from the film’s characterization, narrative structure and accent.