普契尼(Puccini Giacomao)是19世纪末20世纪初最伟大的的意大利歌剧家之一,他被誉为“真实主义”歌剧乐派的代表人物。在他的众多歌剧作品中,尤以女高音咏叹调最为著名,像《托斯卡》、《蝴蝶夫人》、《波西米亚人》更是在世界歌剧舞台上经久不衰,具有着极高的艺术价值。本文以学习角度出发,重点分析了普契尼女高音咏叹调的音乐特点,并以他的歌剧佳作为例,分别分析了其中女高音咏叹调的整体演唱风格及处理方式,共同感受这位民族歌剧大师的艺术魅力。 Puccini Giacomao (Puccini Giacomao) is one of the greatest Italian operas of the late 19th and early 20th centuries, he was hailed as “realism ” opera genre representative. In many of his operatic works, especially the most famous soprano aria, such as “Tosca”, “Madame Butterfly”, “Bohemian” is enduring in the world opera stage, with a very high Artistic value. Based on the learning angle, this thesis focuses on the music features of Puccini soprano arias. Taking his opera masterpieces as examples, this article analyzes the singing styles and treatment styles of the soprano arias respectively, and feels that the master of the national opera Artistic charm.