2008年获得德国电影奖的《浪潮》,以精巧的情节安排,在校园里模拟了一场法西斯思想控制的过程。整个校园实验的设计步骤与人物对白体现了德国在反纳粹运动中的反思成果,警示世人——我们离纳粹仅相隔五天。本文围绕《浪潮》的情节发展,主要采用新批评的方式,并借鉴瑞士语言学家索绪尔语言学对符号语言的认知角度,分析了电影中纳粹意识强制与语言符号间的关联、人物隐喻和人物思想行为的悖论,并进一步探讨悖论在统一层面的原因。由此得出结论,导致纳粹运动从众心理的真正根源是社会个体的不幸和个体理性的丧失。被纳粹组织一再强化的所谓团结和统一,实际上是为了麻醉成员的理性、掩盖它操控成员的真实目的,即以控制个体所获取的能量来维系组织的成长。而个体成员盲从纳粹的主要原因则是放纵自我欲望,放弃理性思考,让纳粹控制有思想空子可钻。《浪潮》这部电影的内涵发人深省,加深了我们对德国纳粹性质思想控制的理解,也为观众提供了对极端独裁形式的思考维度。 The “Wave of Waves”, which won the German Film Award in 2008, simulated a process of fascist ideological control on campus on a delicate plot. The design of the entire campus experiment and the character dialogue reflect Germany’s reflections on the anti-Nazi movement, warning the world that we are only five days after the Nazis. This thesis focuses on the plot development of “The Tide”, mainly adopts the new criticism method, and draws lessons from Saussure’s linguistic understanding of symbolic language from the angle of view, analyzes the relationship between Nazi consciousness and language symbols, Metaphor and character thinking and behavior of the paradox, and further explore the paradox in the unity of reason. From this, we can conclude that the real cause of the obsessive mentality of the Nazi movement is the misfortune of individual society and the loss of individual reason. The so-called unity and reunification once intensified by the Nazis is in fact to anesthetize the members’ rationality and cover up the real purpose of controlling members. That is, they control the growth of the organization by controlling the energy gained by individuals. The main reason why individual members are blind to Nazism is to indulge self-desire, abandon rational thinking and allow Nazi control to be thought-blank. Inspired connotation of the film “Inspur” deepens our understanding of the nature of German Nazi ideology and provides the audience with the dimension of thinking about the form of extreme dictatorship.