关于诗歌的标准,即什么是好诗,什么诗就不是好诗,从古至今一直是个话题,先是有“诗无达诂”这样的把标准弱化了的言辞出世,继而一系列的讨论便无止无休地展开,时到今日,也没有一个定论。但很诡秘的是不管有没有定论,人们还是多多少少能够在面对某些诗人与作品时求得一致的意见。举例说:人们不会说陶渊明、李白的诗不好,白居易是一个特别差的诗人。在这样的情况下,再来谈论标准问题,有时候的确让人感到这是有点把人搞糊涂的事,因为我们能够一眼 On the standard of poetry, that is, what is a good poem, what poem is not a good poem, since ancient times has been a topic, first of all there is “poem without reach ” such standard weakened speech was born, followed by a series of discussions Endlessly unfolded, up to now, there is no conclusion. However, it is very secretive whether or not people are more or less able to come to agreement on certain poets and works regardless of their conclusion. For example: People do not say Tao Yuanming, Li Bai’s poetry is not good, Bai Juyi is a particularly poor poet. In such circumstances, talking about standard questions again sometimes makes people feel that it is a bit confusing, because we can look at it