中西方绘画的分水岭在于二者的民族性上面,这也是山水画和西方的风景画的区别,由于民族性的不同,对物象的描绘的语言也不同,(当然也包括材质、本土文化、等),由于深厚的传统文化底蕴和民族审美意识,造就了中国文人对画中的线有着独特的见解,本文就是要通过结合自身的实践,来谈自身的对山水画中的线的认识,以及山水画中一些线条的运用方法,从而让我们对中国山水画线条的继承和发展有一个更清醒的认识。 The watershed between Chinese and Western painting lies in the ethnicity of both. This is also the difference between landscape painting and western landscape painting. Due to the different nationalities, the language used to depict objects is different (of course, the material, native culture, etc.) Because of its profound traditional culture and national aesthetic consciousness, the Chinese literati created a unique view on the line in the painting. This article is about combining his own practice with his own understanding of the line in landscape painting, Some lines of use of methods, so that we have a more clear understanding of the succession and development of Chinese landscape painting lines.