孟繁玮(以下简称孟):《美术观察》从今年第一期开始提出“中国美术观”的讨论话题,您是如何理解“中国美术观”的?张晓凌(中国艺术研究院院长助理、研究生院院长,以下简称张):能够将美术提高到“观”的高度来探讨,是一个比较新颖的话题。所谓“观”有两层意思,一是本体论方面的,指的是中国美术的终极价值观是什么;一是方法论层面的,指 Meng Fanwei (hereinafter referred to as Meng): “Art Observation” from the first issue of this year put forward the topic of discussion on “Chinese art concept”, how do you understand the “Chinese art concept”? Zhang Xiaoling (China Academy of Art Dean Assistant, dean of graduate school, hereinafter referred to as Zhang): It is a relatively new topic to be able to explore art from the perspective of concept. The so-called “concept ” has two meanings, one ontology, referring to the ultimate value of Chinese art is what; one is the methodological level, refers to