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聆听莫扎特,我们究竟是对音乐感兴趣,还是对一个本真性的(authentic)18世纪表演感兴趣?这两种旨趣仅仅在某一点上相互融合。法国圣路易教堂(San Luigi dei Francesi)中的卡拉瓦乔绘画在它们原来悬挂的地方是不容易被看清楚的,最近被放到展览上,几个世纪以来它们才得以真正被看见。观看一件艺术品,原来的环境并非最有利。同样道理,18世纪的实践,不论其本真性多么正宗,如果偏离或削减了莫扎特音乐中最革命性和最个人化的特质,对我们就没有什么用处。而如果被当作模
Listening to Mozart, are we really interested in music or are we interested in a true 18th century show? The two kinds of purport are only fused at one point. Caravaggio’s paintings in the San Luigi dei Francesi in France are not easily visible from where they were originally suspended and have recently been placed on exhibitions for centuries before they were truly seen. Watching a piece of art, the original environment is not the most favorable. By the same token, the practices of the 18th century, no matter how authentic their authenticity, would be of little use to us if we deviate or reduce the most revolutionary and personal qualities of Mozart’s music. And if used as a model