我们知道,诗歌的创作十分讲究含蓄、凝练。诗人的抒情往往不是情感的直接流露,也不是思想的直接灌输,而是言在此意在彼,写景则借景抒情,咏物则托物言志。这里的所写之“景”、所咏之“物”,即为客观之“象”:借景所抒之“情”,咏物所言之“志”,即为主观之“意”,“象”与“意”的完美结合,就是“意象”。它既是现实生活的写照,又是诗人审美创造的结晶和情感意念的载体。所 We know that poetry is very subtle and concise. The poet’s lyricism is often not the direct expression of emotion, nor is it the direct inculcation of thought, but rather the intention of saying this. The “King” written here is the objective “elephant”: the “love” expressed by the scenery, the “ambition” Image “and” meaning “the perfect combination is” imagery. " It is not only a portrayal of real life, but also a carrier of the crystallization and sentiment of poets’ aesthetic creation. The