油画的民族化是中国几代油画家思索的问题,民族化又涉及到现代化,既要民族化又要现代化。从20世纪初到20世纪末,借用舶来的画种画出民族的现代的作品并在创作过程中把舶来的变成自己的,仅为了“中国油画”这一梦,就不知有多少画家“众里寻他千百度”,此梦已百年,百年好沉重。 本期名家,年过半百的马一平仍在圆这梦,“植根本土,寻找自己”的他,近年来力求用独特的语言创造东方之境,借此境聆听上苍的音律。请读者观察他的《大地无言》等油画风景,了解他的创作意图,分享他造境的快乐。 夏去秋来,天凉好个秋！秋天是收获的季节,是色彩最丰富的季节。此刻,在秋风的爽意中,农民正忙于收获自己的果实。秋风又容易使人清醒,美术同道们也不妨在艺苑中往自己栽种的树上看一看,看是否有丰硕的果实,再看看自己的树下,我们希望你的树下遍地是金。 Nationalization of oil painting is a question for generations of oil painters in China. Nationalization also involves modernization, which requires both nationalization and modernization. From the early twentieth century to the end of the twentieth century, borrowing the imported paintings to draw the modern works of the nation and turning them into their own in the creative process only do not know how many painters “the public is for the dream of” Chinese oil painting “ In search of him thousands of Baidu ”, this dream has been a hundred years, a hundred years heavy heavy. This year’s famous writer Ma Yiping, who is over 50 years old, is still dreaming of this dream. He, who has “rooted himself in the homeland and sought for himself”, sought in recent years to create an oriental environment in a unique language and to listen to the sound of God. Please readers observe his “silent land” and other oil paintings, understand his creative intent, to share his happy environment. Summer to the autumn, a cool day autumn! Autumn is the harvest season, is the color of the most abundant season. At the moment, farmers are busy harvesting their fruits in the cool autumn wind. The autumn wind is also easy to make people awake, art fellow may wish to take a look at their own planted trees in the garden to see if there are fruitful, look under their own trees, we hope that your tree is covered with gold.