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刘正成:周汝昌先生三十年前在《美学》杂志发表了《论遒媚》,他以锺繇和王羲之作品为例谈书法的审美标准,即力量与姿态的完美融合。以是观之,历代女书家囿于其心理的社会角色定位与世俗的审美选择,无论书与画,皆能立辨作者性别。蔡文姬、卫夫人并未有真迹传世,今天见得最多的是宋宁宗宫人杨妺子、赵孟頫夫人管道升、邢侗妹妹邢慈静、黄道周
Liu Zhengcheng: Mr. Zhou Ruchang published The Theory on Combat in Aesthetics thirty years ago. Taking Zhong Zhong and Wang Xizhi’s works as an example, he talked about the aesthetic standard of calligraphy, that is, the perfect combination of strength and posture. Therefore, the ancient women writers in their psychological social roles and secular aesthetic choices, regardless of the book and painting, can identify the author’s gender. Cai Wenji, Madame Wei did not pass down the realm of authenticity, today is the most widely seen Song Ningzong palace Yang Zijia, Zhao Mengtuo lady pipe rose, Xing Dong sister Xing Ci Jing,