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北京有闻名中外的故宫,有令天下好汉向往的万里长城,更有庄严的人民大会堂、中国革命博物馆等十大建筑。这些文化设施是我国古代劳动人民智慧的结晶,是新中国50年代建设成就的骄傲。然而,当历史的脚步迈入90年代末,人们把目光投向21世纪时,便会发现,近10年来,北京的文化设施建设虽然取得了不少新的进展;但从总体上看,落后于上海、广州等省市,与首都“文化中心”的地位相距甚远。文化设施与“文化中心”相距甚远城市影剧院的数量、水准和作用,直接反映文化和艺术事业的发展状况与水平。新中国成立以后,北京的影剧院在五六十年代和80年代初都有过阶段性发展,但“八五”以来,呈下滑趋势。集中表现是:老、旧、停、拆多;被合资企业在城市改造中拆迁、挤占、改用多;政府投资少;改造、新建少;拆迁恢复少。
Beijing has the Forbidden City at home and abroad, the Great Wall with the best man in the world, the solemn Great Hall of the People and the China Revolutionary Museum. These cultural facilities are the result of the wisdom of the working people in ancient China and the pride of achievements in the construction of the new China in the 1950s. However, as the historical footsteps march into the late 1990s, when people turn their attention to the 21st century, they will find that although the progress of cultural facilities in Beijing has made some new progress in the past 10 years, they generally lag behind Shanghai, Guangzhou and other provinces and cities, and the capital “cultural center” status far. Cultural facilities are far away from “cultural centers” The number, level and role of urban cinemas directly reflect the status and level of development of cultural and artistic undertakings. After the founding of New China, the theater in Beijing had a phased development in the 1950s and 1960s and the early 1980s, but it has been declining since the Eighth Five-Year Plan. Concentrated performance is: old, old, stopped, demolished and more; by joint ventures in the urban transformation in the demolition, crowding, use more; less government investment; transformation, less new; relocation less.