狄更斯在写作《大卫》的过程中,通过将潜意识中的被超我抑制的力比多拉回到意识中,使其通过艺术创作得到幻想性满足。从而释放了产生焦虑的心理能、顺应了快乐原则满足了本我,使三我得到调和,最终解除了心理障碍。因而我们可以得知,艺术家们对艺术创作并非完全依赖缪斯女神的神力而是其一种内心强烈的自我救赎的本能释放的表现形式。这对我们理解文学作品和分析人格心理具有莫大意义。 Dickens, in the process of writing “David,” returns to consciousness through the unconscious subversive of the super-I, making it fantasticly satisfied through artistic creation. Thus releasing the psychological energy that produces anxiety, meeting the self in conformity with the principle of happiness, reconciling the three I, and eventually lifting the psychological barrier. Thus we can see that the artists did not completely rely on the goddess of the Muse Goddess of Art, but rather as a manifestation of the instinctive release of their intense inner self-redemption. This is of great significance to our understanding of literary works and analysis of personality psychology.