弹词、木鱼书为代表的说唱在明清时期十分流行。从其产生开始,文人就以各种方式介入到民间口传说唱中,在鲜明的“改造”民间文艺的理论指导下,他们不仅与民间说唱艺人关系密切,许多文人还以修改、创作、写评语等方式直接参与其中,形成了口传文艺的雅致化推进。在口传与书写的相互影响渗透下,说唱文学一路走来,粗糙与文雅并存,演唱与书斋相伴。将口传置换成书写会有丧失鲜活生命力的缺憾,但也为口传艺术带来了文采与新的人文气质。 Poetic words, wooden fish book rap represented in the Ming and Qing dynasties is very popular. From its birth, the literati intervened in folklore and rap songs in various ways. Under the explicit theory of “transformation” and folklore, they are closely related not only to folk rap artists, but also to many writers who modify and create works , Write reviews and other ways to directly participate in them, forming the elegant popularization of oral literature and art. Under the influence of the mutual influence of oral tradition and writing, rap literature goes all the way, coexistence of roughness and elegance, singing and companion. Oral disposition into writing will have the loss of fresh vitality shortcomings, but also for oral art brings Wen Cai and new humanistic temperament.