论文部分内容阅读
底层暴力事件不绝于耳,这种时候我都会想到,大众传媒(包括新闻媒体和影视作品)怎样表达死亡暴力、行凶杀人,这不仅仅是美学问题,而且是思想取向问题,也是政治问题。或者可以用两部比较经典的公路犯罪电影来说明这个观点。1967年,阿瑟·佩恩执导《雌雄大盗》,后来被认为是美国公路片的鼻祖,也是好莱坞新浪潮的滥觞之作。电影描写一个爱嚼口香糖的女侍应邦妮和一个刚刚出狱的
At the time, I think of the ways in which the mass media (including the news media and film and television works) express the death violence and assassination. This is not only an aesthetic problem, but also an ideological orientation as well as a political issue. Or you can illustrate this point with two more classic road crime movies. In 1967, Arthur Payne directed the “male and female thieves”, was later considered the originator of the American road film, but also the origin of Hollywood’s new wave of work. The movie portrays a loving chewing gum waitress Bon Bonnie and a just released from prison