一、话中有话,突出个性戏剧的对话,讲究话中有话,即有潜台词可挖。话中有话,才能性格化。《祝福》虽是小说,其中人物的对话却可谓句句性格化的。例一,四个“四叔说”——勾画出一个封建卫道者的嘴脸。“既是她的婆婆要她回去,那有什么话可说呢。”四叔说。四叔“是一个讲理学的老监生”,是封建伦理道德的维护者,既是祥林嫂的婆婆“要_她回去,”他当然无话可说了。“可恶!然而……。”四叔说。“可恶!”是四叔得知祥林嫂是被其婆家,串通卫老婆子抢走的“报告”时,感到冒犯了他的威严而表示的恼怒。“然而……。”却是他发火时旋即记起不能失掉封建伦理的体统,祥林嫂是逃出来的,“这不好”,即使被 First, there are words, highlight the dialogue of personality drama, pay attention to words, that is, subtext can be tapped. If you have something in order to be personalized. Although “blessing” is a novel, the character dialogue can be described as a sentence of personality. For example, four “Uncle Four Saying” - outlines the face of a feudal lord. “As her mother-in-law asked her to go back, what can I say?” Four Uncle “is an ethics of the old supervisor”, is the feudal ethics defender, both the mother-in-law of Xianglinsao “to _ her return,” of course he has nothing to say. “Damn! However ... ...” Uncle said. “Damn!” Was the fourth anger that Fourth Uncle found out that Xianglinsao was offended by the majesty of his majesty when he snatched “reports” from his in-laws and collusion with his wife. “However ... ...” But when he was angry, he immediately remembered not losing the system of feudal ethics, Xianglinsao escaped, “This is not good,” even if being