朵金导演的《兄弟姐妹》天津上演,在戏剧爱好者的自媒体里引起了广泛关注。这部戏吸引人的地方不在于使用了多少新鲜的手法(尽管六个小时的长度是它吸引中国观众的一个要素),而是剧中人物的命运以及由此展现的人类遭遇的普适性和共通性。戏的主题很朴素,表达得很鲜明,简单说就是:人活着是要吃饭的,人类延续下去是要有男有女的。如果一个社会背离了这个 The performance of Du Jin’s “sibling” Tianjin, aroused widespread concern among theatrical enthusiasts from the media. What appeals to the show is not the amount of freshness that has been used (although the length of six hours is an element of its appeal to Chinese audiences), but the fate of the characters in the play and the universality of human encounters And commonality. The theme of the play is very simple, very clear expression, simply put is: people are living to eat, human beings continue to have men and women. If a society deviates from this