文艺复兴大师达·芬奇的艺术创作并非直接导源于人文主义思想,而是源于科学与人文、亚里士多德与柏拉图、理性与神秘主义的综合。在古希腊神秘主义的背景中,达·芬奇注重经验和观察,借助暗箱与透视等技术手段,同自然竞争,追求绘画的自然境界。 Renaissance master Leonardo da Vinci’s artistic creation is not directly derived from the humanist ideology, but from science and humanities, Aristotle and Plato, the combination of rational and mysticism. In the background of ancient Greek mysticism, Leonardo da Vinci paid attention to experience and observation, and used natural techniques such as black-box and perspective to compete with nature and pursue the natural state of painting.