(一)一瓯香乳听《调琴》白居易有《琴茶》一诗云:“兀兀寄形群动内,陶陶任性一生间。自抛官后春多醉,不读书来老更闲。琴里知闻唯渌水,茶中故旧是蒙山。穷通得止长相伴,谁道吾今无往还。”白居易之诗,以抚琴“渌水”与品茗“蒙顶”塑造了一个追求闲适生活的隐士形象。奏琴品茗,同样的时代,同样的题材,但在另一种艺术形式中,在另外的艺术家的笔下,琴与茶又有了截然不同的审美内涵。这就是唐人的《调琴啜茗图卷》和《宫乐图》。唐代是古代中国的一个鼎盛时期, (A) a Ou Xiangliang listen to “tune the piano,” Bai Juyi “Qin Cha” poem: “Wu Wu send-shaped group movement, Tao Tao wayward life. Since the dismissal of the late spring drunk, not to study more old Free .Guitar know only Wei water, the tea is old Mengshan. Poor pass only with long, who I nowhere to go. ”Bai Juyi poem to Fuqin“ water ”and tea “Top” shaped a hermit image of pursuing a comfortable life. The same time, the same theme, but in another art form, in the pen of another artist, piano and tea have a completely different aesthetic connotation. This is the Tang people’s “tone piano sip map” and “palace music map.” Tang Dynasty is a heyday of ancient China,