一以治当代文学史著称的学院派评论家程光炜,又发表了富有文学史意味的《1987:结局或开始》(以下简称《结局或开始》,载《上海文学》第二期,笔者所引用的相关材料也出自该文)。此文不露声色地沿用“现实的就是合理的”这一世俗逻辑,以分析——重新认识当代作家池莉的中篇名作《烦恼人生》的社会内涵为侧重点,以“1987年”为中轴线,划分并确证“‘乌托邦冲动’年代(1980)”的结局和“‘新兴资产阶级’ An academic critic named Cheng Guangwei, who is famous for the history of contemporary literature, published ”1987: End or Begin“ with rich literary history (hereinafter referred to as ”End or Start“) and the second issue of ”Shanghai Literature“ The relevant material is also from this article). This article unspokenly follows the secular logic of ”the reality is reasonable“ and focuses on the social connotation of ”troubling life“ of the contemporary author Chili’s novella ” “As the central axis, divide and confirm ” utopian impulse ’era (1980) “and ”’ new bourgeoisie ’