我画丝路天马尤重意象表达,心有所思,神之所至,天马的形象便在笔下渐渐丰满。美学家朱光潜先生曾说,意象其实是诗意化了的物象。天马的神骏、飘逸、风骨时时刻刻萦绕在我的脑子里,再经过多次碰撞、思考、修正,最终落于笔端,有时满意,有时沮丧,更多是沉浸在汉风唐马的诗意中。“天马”一词在中国古典文学中出现,最早见于《山海经》之《北山经》:“马成之山有兽焉,其状如白犬而黑头, I painted a beautiful image, especially in my heart, thinking of God. My image of Pegasus gradually plummeted. Mr. Zhu Guangqian, an aesthete, once said that the image is actually a poetic image. Tianjun horse, elegant, strength and style always linger in my mind, and then after many collisions, thinking, correction, and ultimately fall on the tip, sometimes satisfied, sometimes depressed, more is immersed in the Han Tang Tang’s poetic in. ”Pegasus “ appears in Chinese classical literature, first seen in ”Shan Hai Jing“ ”Beishanjing“: ”Ma Chengzhi mountains and beasts Yan, like a white dog and black,