在二次世界大战之后,当代西方的文艺理论有两个明显的走向,一个走向是在对以语言学为基础建立起来的结构主义、及其种种与结构主义相近的文艺理论的批判中产生的后结构主义批评理论,如解构主义(德里达)、新历史主义(福柯)、精神分析学(拉康)等;另一个走向是把文学与文化、文学与人类学、文学与社会科学联系起来的所谓泛文化研究的后现代主义潮流,如詹姆逊、哈贝马斯等。这些思想和潮流对全球化环境下的当代文学艺术的影响是巨 After the Second World War, there were two obvious trends in contemporary western literary theory. One trend came from criticisms of structuralism based on linguistics and various literary theories similar to structuralism Post-structuralist critical theories such as deconstruction (Derrida), neo-historicism (Foucault), psychoanalysis (Lacan), etc .; the other is to link literature and culture, literature and anthropology, literature and social sciences The so-called pan-cultural studies of post-modernism, such as Jameson, Habermas and so on. The impact of these ideas and trends on contemporary literature and art in a globalized environment is huge