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随着上世纪末期数字技术的腾飞,蒙太奇电影观念遇到有力的挑战。由于数字技术在电影摄制中的应用越来越广泛,国内不少论者提出了“后蒙太奇”的概念。孙振涛在《“后蒙太奇”时代的电影语言》一文中对数字技术、对蒙太奇的挑战做了系统的阐述。他说:“对于‘后蒙太奇’这一概念,是基于与‘前蒙太奇(’包括蒙太奇与长镜头)
As the digital technologies took off in the late 2000s, montage cinema concepts encountered powerful challenges. As digital technology is more and more widely used in film production, many domestic scholars have proposed the concept of ”post-montage“. Sun Zhengtao made a systematic exposition on the challenges of digital technology and montage in the post-post montage ”The Movie Language of the Time.“ He said: ”The notion of ’post-montage’ is based on the concept of ’pre-montage (’ including montage and long shots)