中国戏曲“不是某个天才艺术家一时一地的发明,而是中国各民族长期的共同的创造……”(张庚《中国戏曲》)“金、元时期,随着女真和蒙古贵族的南侵,在北方有很多少数民族的人民与汉族人民杂居起来,这对于北杂剧能够融合各民族的艺术成就,特别是接收他们民族音乐和歌唱的影响,以形成北杂剧的戏曲声腔,有着十分重要的作用。”(张庚、郭汉城《中国戏曲通史》)当时,辽、金从东北地区带去的少数民族歌舞,在中原汉族地区产生了巨大的影响。宋曾敏行《独醒杂志》记载“先君尝言:宣和间客京师时, Chinese opera “is not a one-time invention by a gifted artist, but a common long-term creation of all ethnic groups in China.” (Zhang Geng’s “Chinese Opera”) “In the Jin and Yuan Dynasties, with the southern invasion of Jurchen and Mongol aristocracy, There are many ethnic minorities living in the north with the Han people, which plays a very important role in the integration of Beida Opera with the artistic achievements of all ethnic groups, especially the reception of their national music and singing in order to form the opera of Beida Opera. ”(Zhang Geng, Guo Hancheng,“ General History of Chinese Opera ”) At that time, Liao and Jin ethnic groups brought songs and dances from the northeast region in the Central Plains Han Chinese had a tremendous impact. Song Zeng line “alone wake up magazine” records "Xianjun taste words: Xuanhe intercourse when the capital,