在专题片的创作中,声画关系的主要表现是画面和解说之间的配合与协调。但是,专题片中的声音并不仅限于此,而是多种元素的综合。卡雷尔·赖兹说:“最理想的是,不给观众有时间分辨音响与画面的关系,观众只因当接受那联合起来的效果。”专题片中的声音成分主要有:人物同期声,解说 In the creation of feature films, the main manifestation of the relationship between sound and painting is the cooperation and coordination between the pictures and commentary. However, the voice of the feature film is not limited to this, but a combination of various elements. Karel Reitz said: “Ideally, the audience should not have time to tell the relationship between sound and picture, and the audience only accepts the combined effect.” The sound components in the feature film include: Explain