论文部分内容阅读
诗人不为五斗米折腰,犹能采菊悠然吟逸篇。建筑师也绝不为五斗米折腰:钱太少,怎么造?经济胚塑了建筑,又以它为手段;并组成庞大的综合产业。在更广阔的超经济学范畴,完成建筑。这种经济性使建筑与艺术有本质的不同。一、塑形的手是经济无形的手。赛特设计白斯蒂连锁店,推出种种残形,甚至吸引了后现代名家参与,如文丘里“米老鼠柱式”店面方案。赛特和白斯蒂共生,满意地说:“Best it best。”这残破奇特富于广告效果,为店增利多达40％。
The poet does not bend back for five meters, but he can still pick up the chrysanthemum. The architects will never give up for five buckets of rice: money is too little, how to make it? The economy has molded buildings and uses them as a means; and it forms a huge integrated industry. In the broader category of supereconomics, complete the architecture. This economic nature makes the architecture and art fundamentally different. First, the shape of the hand is an economic invisible hand. Seth designed the White Stitch Chain Store and launched various remnants that even attracted postmodern artists such as Venturi’s “Mickey Mouse Column” storefront program. Seth and White St. Symbio, happily said: “Best it best.” This broken peculiar advertising effect, for the store up to 40%.